Hotlight
Focus 77 is a key-light for ultra-smooth harmonic progressions. Due to its soft reflective reflector-coatings it covers up some errors in the make-up and smoothes out wrinkles, without appearing flat. That makes the focus 77 to one of the most popular Beauty- and Close Up-lights in Photographic- and Filmstudios worldwide. 
The focus 85 competes against the sun. Its light is gleaming and significantly lighter than the light of the focus 77. It makes deep shadows, being almost like a downlight, but not quite as hard. The focus 85 is ideal for plastical portraits of character heads or shots who want to move, for example, sunglasses or summer cosmetics, in the best light.
The focus 96 produces a similarly gleaming, crisp light as the focus 85. Through the larger reflector the focus 96 enables additionally smooth transitions, because you can brighten shadows specifically with it. Good suitable for larger scenes. 
Compared to the focus 96, the focus 100 creates a much softer light while still being more vigorous than the "Beauty reflector" focus 77. With the focus 100 you can sift out details, animate surfaces or accentuate wrinkles in weathered faces. Good for atmospheric Close Ups, but also for shots from medium distances.
The 115 focus makes a very concrete light, comparable with that of the focus 96. However the focus 115 has an even greater range of lightings between "Spot" and "Flood": hard, soft and everything thats in between. With the focus 115 you can sift out details, animate surfaces or accentuate wrinkles in weathered faces. Good for atmospheric Close Ups, but also for shots from medium distances. 
The focus 140 provides a similarly detailed and crisp light as the focus 115. It is a real Allrounder. Good for portraits, but also for group shots and whenever space is of no relevance. His Inventor H.W. Briese, says of this reflector: "If you have it, you'll never lose." 
The focus 180 makes the Briese-principle obvious. Fully focused it creates dramatic lighting with multiple screen differences between the centre and the edge of the picture. Almost like day and night. Perfect for strong accentuations. With just one setup you can create various lighting moods. Those characteristics make the focus be a main character at many Fashion-Productions. 
Fashion photographer and filmmaker also love this reflector. It brings the sun into the studio and makes other light sources unnecessary. Another advantage is that this large reflector allows different camera positions, as you can stand directly in front of it during the shoot without casting a shadow.
The focus 330 is able to do several things that many filmmakers won't believe until they see it themselves. With a normal power outlet ( 2500 watts generated bulb ) the focus 330, produces a quantity of light which would otherwise require 10 KW of fresnell. And all that with a fraction of the weight and assembly time and with a maximum of consistency and modularity. Another advantage: The large reflector allows different camera positions, as you can stand directly in front of it during the shoot without casting a shadow. 
The e-focus is a new quantum leap in the Briese technology. Through remotely controllable electric motors cameramen are able to precisely conduct up to eight lights directly from the camera's position. A dream for anyone who wants the most accurate light possible.
Stand mount with crank
How thought out the focus system is, can be determined by the details.Through the Stand mount with crank our large reflectors ( focus 220 and focus 330 ) can be adjusted easily and very precisely.
Stand mount with lever
How thought out the focus system is, can be determined by the details. Through the Stand mount with lever you won't have to climb up the latter each time a lamp is too high. In addition, the light can be adjusted very precise and without any effort.
Sun
Anyone who wants to film summer scenes in the winter or to whom a trip to the Caribbean is too expensive, the Briese Sun will help. It makes a consistently hard, sun-like illumination of smaller but also large scenes possible. With clear shadows coming from one direction. Thanks to the maximum power of 5000 watts.
Downlight
Briese Downlight amazes and inspires cameramen and photographers likewise, because it is four times brighter than a conventional fresnell. His spot-character makes it indispensable for those who want to emphasize very selectively or need exciting surfaces or selective reflections and gradients. Briese Downlight makes all that possible, even with a great distance from the light source to the object.
Globe 60
Briese Globe ensures a clean, shadowless main light. In the larger version it is ideal for the illumination of rooms. With several Globes you can evenly illuminate entire sceneries. Another feature: Our Globes are foldable and you are able to individually tilt or swivel. Systems from other manufacturers often just work, when their hanging from the celing.
Globe 90
Briese Globe ensures a clean, shadowless main light. In the larger version it is ideal for the illumination of rooms. With several Globes you can evenly illuminate entire sceneries. Another feature: Our Globes are foldable and you are able to individually tilt or swivel. Systems from other manufacturers often just work, when their hanging from the celing.
Maxi Strip
Briese offers this sort of reflector in three different sizes for daylight and hotlight. You can choose between two diffisers with different density and a neutral gray- reduction diffuser ( minus 1f- stop ). The 85x200 Strip forms a medium band of light with which you are able to make excellent side- or skylights. Very popular for car photography.
Midi Strip
Briese offers this sort of reflector in three different sizes for daylight and hotlight. You can choose between two diffisers with different density and a neutral gray- reduction diffuser ( minus 1f- stop ). The 70x170 Strip forms a medium band of light with which you are able to make excellent side- or skylights. Very popular for car photography.
Mini Strip
Briese offers this sort of reflector in three different sizes for daylight and hotlight. You can choose between two diffisers with different density and a neutral gray- reduction diffuser ( minus 1f- stop ). The 60x130 Strip forms a medium band of light with which you are able to make excellent side- or skylights.
Rolling suitcases
Also in the protection of our technology, we have gone our own way. We have searched for a material that is lightweight and can withstand extreme loads. In the automotive industry, more specifically in the bumper production, we have found it. The material used,high-pressure polyethylene, is hot-drawn for our suitcases. Effect: Our cases hold temperatures of minus 40 degrees to 90 degrees plus and the most extreme impacts. The fact is: Since we use this material,there never has been a complained about a defective bag.
focus bags
We protect our technology with the same material, scientist transport cores consisting of ancient arctic ice with- polypropylene foam. We don't know of any other material that is so lightweight,so well in isolation and at the same time ignores the hardest blows as well as polyprophylene does.The effect is: Since we use this material,there never has been a complained about a defective bag.
Strip bag
This soft bag is lightweight, water-repellent and abrasion resistent.
focus masks diffusers
Mask diffusers allow special lighting. Because they do not soften the entire emitted light. Briese offers a total of seven different mask diffusers.