Daylight
The facer and also focus.2 111, 115, 130 are an extension of the Briese focus system and are part part of a new reflector patent. Two different reflector curves set completely new standards. 
The focus.2 111 and also facer, focus.2, 115, 130 are an extension of the Briese focus system and are part part of a new reflector patent. Two different reflector curves set completely new standards. 
The focus.2 115 and also facer, focus.2 111, 130 are an extension of the Briese focus system and are part of a new reflector patent. Two different reflector curves set completely new standards. 
The focus.2 130 and also facer, focus.2, 111, 115 are an extension of the Briese focus system and are part part of a new reflector patent. Two different reflector curves set completely new standards. 
M4
The M4 consists four square reflectors 1x1 meter. This means an area of 2x2 meters with an extremely high light efficiency that exceeds a couple of 100% of an ordinary panel light. On a surface from 8x8 meters the light fall-off is 1/10f only.
Focus 77 is a key-light for ultra-smooth harmonic progressions. Due to its soft reflective reflector-coatings it covers up some errors in the make-up and smoothes out wrinkles, without appearing flat. That makes the focus 77 to one of the most popular Beauty- and Close Up-lights in Photographic- and Filmstudios worldwide. 
The focus 85 competes against the sun. Its light is gleaming and significantly lighter than the light of the focus 77. It makes deep shadows, being almost like a downlight, but not quite as hard. The focus 85 is ideal for plastical portraits of character heads or shots who want to move, for example, sunglasses or summer cosmetics, in the best light. 
The focus 96 produces a similarly gleaming, crisp light as the focus 85. Through the larger reflector the focus 96 enables additionally smooth transitions, because you can brighten shadows specifically with it. Good suitable for larger scenes. 
Compared to the focus 96, the focus 100 creates a much softer light while still being more vigorous than the "Beauty reflector" focus 77. With the focus 100 you can sift out details, animate surfaces or accentuate wrinkles in weathered faces. Good for atmospheric Close Ups, but also for shots from medium distances. 
The 115 focus makes a very concrete light, comparable with that of the focus 96. However the focus 115 has an even greater range of lightings between "Spot" and "Flood": hard, soft and everything thats in between. With the focus 115 you can sift out details, animate surfaces or accentuate wrinkles in weathered faces. Good for atmospheric Close Ups, but also for shots from medium distances. 
The focus 140 provides a similarly detailed and crisp light as the focus 115. It is a real Allrounder. Good for portraits, but also for group shots and whenever space is of no relevance. His Inventor H.W. Briese, says of this reflector: "If you have it, you'll never lose." 
The focus 180 makes the Briese-principle obvious. Fully focused it creates dramatic lighting with multiple screen differences between the centre and the edge of the picture. Almost like day and night. Perfect for strong accentuations. With just one setup you can create various lighting moods. Those characteristics make the focus be a main character at many Fashion-Productions. 
Fashion photographer and filmmaker also love this reflector. It brings the sun into the studio and makes other light sources unnecessary. Another advantage is that this large reflector allows different camera positions, as you can stand directly in front of it during the shoot without casting a shadow. 
The focus 330 is able to do several things that many filmmakers won't believe until they see it themselves. With a normal power outlet ( 2500 watts generated bulb ) the focus 330, produces a quantity of light which would otherwise require 10 KW of fresnell. And all that with a fraction of the weight and assembly time and with a maximum of consistency and modularity. Another advantage: The large reflector allows different camera positions, as you can stand directly in front of it during the shoot without casting a shadow. 
The e-focus is a new quantum leap in the Briese technology. Through remotely controllable electric motors cameramen are able to precisely conduct up to eight lights directly from the camera's position. A dream for anyone who wants the most accurate light possible. 
Stand mount with crank
How thought out the focus system is, can be determined by the details.Through the Stand mount with crank our large reflectors ( focus 220 and focus 330 ) can be adjusted easily and very precisely.
Stand mount with lever
How thought out the focus system is, can be determined by the details. Through the Stand mount with lever you won´t have to climb up the latter each time a lamp is too high. In addition, the light can be adjusted very precise and without any effort.
Globe 60
Briese Globe ensures a clean, shadowless main light. In the smaller version,it is ideal for the illumination of small spaces like, for example, bathrooms. Another feature: Our Globes are foldable and you are able to individually tilt or swivel. Systems from other manufacturers often just work, when their hanging from the celing.
Globe 90
Briese Globe ensures a clean, shadowless main light. In the larger version it is ideal for the illumination of rooms. With several Globes you can evenly illuminate entire sceneries. Another feature: Our Globes are foldable and you are able to individually tilt or swivel. Systems from other manufacturers often just work, when their hanging from the celing.
Maxi strip
Briese offers this sort of reflector in three different sizes for daylight and hotlight. You can choose between two diffisers with different density and a neutral gray- reduction diffuser ( minus 1f- stop ). The 85x200 Strip forms a medium band of light with which you are able to make excellent side- or skylights. Very popular for car photography.
Midi strip
Briese offers this sort of reflector in three different sizes for daylight and hotlight. You can choose between two diffisers with different density and a neutral gray- reduction diffuser ( minus 1f- stop ). The 70x170 Strip forms a medium band of light with which you are able to make excellent side- or skylights. Very popular for car photography.
Mini strip
Briese offers this sort of reflector in three different sizes for daylight and hotlight. You can choose between two diffisers with different density and a neutral gray- reduction diffuser ( minus 1f- stop ). The 60x130 Strip forms a medium band of light with which you are able to make excellent side- or skylights.
HMI 4000W
In our ballasts is the knowledge from 20 years of practice. The Cinema 4 is a combined ballast that runs 1200W, 2500W or 4000W. It is availible with 300Hz or 1000Hz and it selects different voltages automatically from 90-260V. The functional interaction with our reflectors results in work on highest technical niveau.
HMI 6000W
The Briese equipment got extended by the Cinema 6 system. The electronic ballast is as compact as his little brother, the Cinema 4. Again 300Hz provide light that is absolutely flicker-free and the international ballast selects the voltage between 90-260V easily. The 6KW Briese system is a gain for everyone who requires more output with constant quality of light.
Sun
Anyone who wants to film summer scenes in the winter or to whom a trip to the Caribbean is too expensive, the Briese Sun will help. It makes a consistently hard, sun-like illumination of smaller but also large scenes possible. With clear shadows coming from one direction. Thanks to the maximum power of 2500 watts.
Downlight
Briese Downlight amazes and inspires cameramen and photographers likewise, because it is four times brighter than a conventional fresnell. His spot-character makes it indispensable for those who want to emphasize very selectively or need exciting surfaces or selective reflections and gradients. Briese Downlight makes all that possible, even with a great distance from the light source to the object.
Fresnell spot
The Fresnell spot. A classic for film- and theater illumination. The Fresnell spot is a spotlight with a fresnell lense that makes a soft and round light field. The Fresnell spot is suited for even illumination of movie scenes. We supply all common standard models.
Egg crates & fins
Egg crates are reflector attachments, with which the illuminated area is more limited. The light is more centered, what makes the shadows deeper and the sequences shorter. Fins are a good addition for Strip-Lights. This enables the strip character of these lights to increase even further.
focus bags
We protect our technology with the same material, scientist transport cores consisting of ancient arctic ice with- polypropylene foam. We don't know of any other material that is so lightweight,so well in isolation and at the same time ignores the hardest blows as well as polyprophylene does.The effect is: Since we use this material,there never has been a complained about a defective bag.
Rolling suitcases
Also in the protection of our technology, we have gone our own way. We have searched for a material that is lightweight and can withstand extreme loads. In the automotive industry, more specifically in the bumper production, we have found it. The material used,high-pressure polyethylene, is hot-drawn for our suitcases. Effect: Our cases hold temperatures of minus 40 degrees to 90 degrees plus and the most extreme impacts. The fact is: Since we use this material,there never has been a complained about a defective bag.
Strip bag
This soft bag is lightweight, water-repellent and abrasion resistent.
Diffusors
Customers love our light because of its clarity and hardness. Nevertheless, there are situations that require a "soft" character. For this we have a wide range of diffusers in our assortment.
focus masks diffusers
Mask diffusers allow special lighting, because they do not soften the entire light just parts.